Showing posts with label 12/2011. Show all posts
Showing posts with label 12/2011. Show all posts

Saturday, December 24, 2011

Merry Christmas!

Yesterday I have been running last minute errands in town, and as the mild temperatures continue (DS insisted on wearing a t-shirt) everyone was having their lunch outside in the sun

I have never seen so much foliage still around this time of the year

But with only one little parcel left on DS's advent calender,

and all other preparations finished, Christmas is finally here

earlier this month, the 'delivery boy' brought a wreath

which has been suspended from the kitchen ceiling

while our tree has been patiently waiting outside (we brought it in last night)

all cookies are baked

and decorated

some presents are wrapped

while others look their best without

and with the champagne chilled and the outside lights fixed, we are ready for Christmas.

Wishing everyone happy and festive holidays, and a very merry Christmas! x

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Monday, December 19, 2011

Scarf it Up - Drapes

If it were not for the calender (and DS's building anticipation) I would not believe it is Christmas in five days time. With so many trees still holding onto their leaves and with another spell of mild weather, it feels more like early November than Christmas time.

Although my shawl ring collection has been out for some time, I never got round to introduce them, and since it is too warm for GMs right know, I have been playing with 90 Carrés instead.

With the shawl rings, the 90 Carrés can be worn in a loose and soft style, and the effect is more like draping than knotting. The key is to fold the scarf into a wide and loose basic bias fold, followed by securing the ends with the basic slide
As above, only looser and twisting the folded scarf before securing the ends, leaving one end longer

Capsule pieces: jeans and pastel sweater
Accessories: Courbettes et Cabrioles 90 Carré and MT collection horn bracelet in marron/cream
Scarf tying method: 90 Carré in a loose basic bias fold, secured in a basic slide with a MT Collection shawl ring in sunshine honey horn

as first drape, only worn lower and looser


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Monday, December 12, 2011

Today wearing - winter pastels, part two

Provençal façades come in hundreds of soft pastel shades, some exuding tranquility, others warmth and hospitality, but always calming in summer, and illuminating in winter.

Today I've been playing with nuances, chosing slightly deeper and warmer shades than the icy pastels in the last post, while adding a casual touch with jeans. The caramel scarf fur collar is part of the outing too, as requested by a dear reader :)
Rue Fernand Dol, Aix-en-Provence


Capsule pieces: cream tank, camel cardie and blue jeans
Accessories: 'Maillons' Twilly, MT Collection scarf fur collar in caramel (the above photo is true to color, more so than the one below) and MT collection horn bracelet in maroon/cream

And this one is for dear CS specially...

Puzzle 90 Carré, sanguine Picotin and bleu indigo scarf fur collar


Coming next: first cashmere interview (of a series) with Chantal Roy

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Friday, December 9, 2011

Today wearing - winter pastels

The last couple of days our sky has been 'a hazy shade of winter', while a low sun casted milky light over nature and fassades, dunking them into a palette of soft pastel colors.

Wearing 'Aux Pays des Epices' (it's the first time I've taken it out in winter.. such a joy to discover new usages for old favorites) with a MT Collection scarf fur collar in Poudre, knotted in an Ascot knot. Please click here for how-to


Later in the day, with hair pulled back and scarf in the basic bias fold (secured with the five loop method)


Have a great weekend everyone x

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Monday, December 5, 2011

Capsule wardrobe # 53 - a new member to the family

I have been longing for a pumpkin colored bag for a few years, and have been tempted many times by orange and potiron. Allthough stunningly beautiful, I always found them too bright on me, no matter with style or leather I tried
Last week, my search came to a happy end (the extra wide bolduc could not be cuter, making the box look like an oversized chocolate box)

Welcome to the newest member to the Picotin family, Ms Sanguine

I had high hopes for this color when it came out, but in the leathers I saw, it never quite matched the color I had in my head.. until I was shown it in Taurillon Clemence, which brought it out in the exact deep and saturated way I wished for.

Today, we had a cool and crip winter's day, and to keep warm, I wore a thin black v-neck sweater under the scarf halter top.

Capsule pieces: checked wool trousers and leather jacket
Shoes: chocolate ankle boots
Accessories: Ex-Libris en Kimono 90 Carré, MT collection waterfall necklace in black, MT collection horn bracelet in noir/ebene/ecru, Picotin in Sanguine
Scarf tying method: 90 Carré as a halter top. Please click here for a how-to



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Friday, May 27, 2011

'All about cashmere' - Interviews with Chantal Roy, part one

During the restauration of my Ex-Libris cashmere shawl by Chantal Roy's invisible mending atelier CHANTAL RAMMENDO INVISIBILE, it was not only fascinating to learn about the amazing results and techniques of invisible mending, but I was fortunate enough to also gain a deeper understanding about cashmere in general, as Chantal Roy has been most gracious and kind in answering the many questions I had on the topic. Her knowledge and experience of these subjects is exceptional, and I am most happy and grateful that she agreed to share her advice and expertise on this blog, in form of a series of interviews.

 
This first part is comprehensive, but I feel it was very important to have a deeper knowledge on the subject of fibers and quality, as it will help to understand the topics which will follow (pilling, maintenance, storing etc). If you have any questions, please leave them in the comment box below.

What is cashmere, and how is it different from wool? 
Cashmere is a fine undercoat that usually comes from the underbelly part of goats. Cashmere fibers are hollow (like a tube), and much thinner than woolen fibres (they can go from a thickness of 11 to 18 micron, while the finest merino wool won't be thinner than 24 micron), which makes cashmere warmer and softer than wool, while at the same time lighter to wear. 
  
  Which fibers produce the more resistant cashmere yarn and fabric? 
CR: Cashmere fibers usually goes from 1 to 3 inches. The longer the fibers are, the more resistant the yarn that is created when spinning.

  Which fibers produce the softest and lightest cashmere yarn and fabric? 
CR: In general terms, the thinner the fibre, the softer the yarn. Unfortunately, thinner fibers tend to be shorter and more fragile, and have a tendancy to break more easily. 

  What determines the quality of cashmere? 
CR: The quality of cashmere fibers is determined by how thin and long they are. The most sought after fibres are long (resulting in a resistant yarn/fabric) and thin/fine (creating softness/ lightness). This doesn't include some very important exceptions such as baby cashmere which has shorter fibers and is the top of the quality, it also doesn't include fibers which may come from the underpart of the neck/throad of the goat that are used for some impalpable pieces of amazing quality. What is pilling? CR: Pilling is nothing more than shorter/broken cashmere fibers coming to the surface of a cashmere fabric, it is partly natural (cashmere always did a little bit of pilling with time ) but it can also be seen as a side effect of producing soft and light cashmere fabrics. 

  How is consumer demand influencing the production of cashmere fabric? 
CR: Cashmere wasn't that soft in the past. It only became softer when it was well used. People like soft cashmere better, and they also want it to be light. To meet the demand, some companies started to make yarns that were more airy and less twisted. The customers liked it much better, and some brands were happy to meet the customer's expectations with this new way of spinning, as it meant that their cashmere items would weigh less, and therefore saving time and money in production. Those who kept making cashmere the old way (by using longer and thicker fibres), were often accused at the time of producing lower quality cashmere because it was less soft, and more bulky. This was not true, as those cashmere fabrics were more resistant, and would not pill or snag easily. 

  What else has changed over time in the production of cashmere fabric? CR: Cashmere is less greasy than wool, and therefore less elastic. In the past, it was therefor often woven in oil, which gave it a buttery feel, but since this method is very expensive, some producers eventually started to weave without oil (or with less oil, or with other methods). As a result, some customers missed the feeling of 'softness', but in reality, they missed the texture produced by the oil. Some producers started to compensate, and relaced the softness of the 'oily hand' by weaving a less twisted and more airy thread instead. 

  What is your personal view on softness? 
CR: Knowing cashmere, I don't care much about it's softness if the thread feels empty.. 

  How do CSGMs produced nowadays compare to CSGMs produced in the past? CR: The CSGMs often feel like they have become thinner, but I remember customers complaining about the fact that the shawls were previously too bulky, and often too hot. So, just as some other brands developed their cashmere, maybe the shawls were made less heavy for various reasons. I still think the quality of the GMs is great, but because of all that has been said above, they sometimes feel a more fragile item than they were some time ago. In my experience it is the same with many brands that do cashmere, because consumers want softness above anything else. Personally, I would probably prefer the shawls thicker, but I am not so sure that all customers would feel the way I do. 

  Are there other factors which influence the softness/fragility of cashmere fabric? CR: Yes, dying can influence the result a lot. The stronger/darker a color, the less soft the result. The lighter, more natural (closer to natural or natural white), the softer the shawl will be. This is the same with clothing. This is why you will probably never find a black baby cashmere sweater. I think the black dye could probably destroy a good part of the fibers. Stronger or different dyes could also be a good part of the reason why fibers break and pill, but this is just a hypothesis. This is also why there can be a great difference from year to year, from design to design, and from color way to color way. 

  How does the quality of cashmere compare to the past in terms of fibre? CR: The quality of ALL cashmere has generally lowered over the years due to increase in demand. The best cashmere is found in China, not Kashmir. There is no reason for this apart from the way the goats are fed I suppose. Until the end of the eighties and beginning of the nineties, China had huge stocks of unsold cashmere. (For the purpose of price control, they would decide how much was to be sold every year, and keep the finest quality for themselves). Now China can't meet demand. In the mountains some areas are overgrazed by numerous goats, and the grass doesn't grow anymore. The problem now is how to feed a goat properly, since goats that aren't well fed won’t give high quality fibers. This doesn't mean that great cashmere doesn't exist anymore, but it does mean that it is much more expensive and much scarcer than in the past. 

Which brands produce good quality cashmere in your opinion? CR: As of now, some brands like Hermès, Loro Piana, Chanel, Brunello Cuccinelli, and also Fedeli are currently making excellent quality cashmere, but these are just examples and there are several others. That’s generally speaking of course.

 Thank you so much for this interview, dear Chantal. 

  CHANTAL RAMMENDO INVISIBILE Via Cernaia 6 - 20121 - Milano - ITALY Phone: +39 02 29001310 Mobile: +39 348 5851 365 E-mail: chantal@rammendoinvisibile.com Web: http://www.rammendoinvisibile.com 
  
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